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I can’t decide if he’s right or not (or if it simply won’t be relevant for what he has–indeed, a lot of this financial stuff, it seems like JR is more knowledgeable than anyone else because he has actually read the material–something nobody does.
She is enraged already saying that Miss Moneybags (and now we know why they call her that) and Mr Vogel pretending they didn’t know what bus was what. It’s until the doctor thinks he’s strong enough to…. has been dressing like a student and spying on the teachers. There’s some talk of Augustus Montague Toplady and how he could have stayed out of jail. Gibbs, who normally doesn’t read and proscribed openings is reading the entire Constitution and homeroom won’t end until he does.
Which I assume references Always take a girl named Daisy (’cause daisies won’t tell). Poor Dan has to go to school in soiled ill-fitting clothes and bandages).
But she insists that he look after all the kids while she takes off and returns home. When Dan gets to school, all the educational equipment is gone.
In Casa di Cephalis she runs around turning all the lights on (this would be the era of “When Not in Use Turn Off the Juice– I had that sticker on my light switch all through grade school and high school). Vogel starts going on about Mrs James Watt (he thinks she must have been something to look at: push pull, push pull). While he is talking, Dan looks at Vogel’s suit and realizes that it is his own.
As she walks into the room in an unsubtly sexual way: “in erect silhouette against the flaccid shadows beyond” (310) she sees that her husband is home. Vogel bought it for at the thrift store (he even found a condom in the back pocket).
The other fun thing about Ween is that in addition to pretty much none of their albums sounding alike, pretty much none of their songs sound alike.
So you can’t tell if you’ll like any other Ween songs based on this one. And if, like me, you haven’t see the video in twenty years, check it out had lots of locations and historical photo-op type things.
I’m told some of their later records are quite good.
This song from the album was my introduction to them, and it is weird and kind of irritating and strangely catchy and perfectly encapsulates Ween.
The melody is simple and poppy, but the vocals are, if not sped up, then crazily falsettoed.
And the repeated refrain of “push the little daisies and make em come up” is, if not annoying, certainly infectious (in many senses of the word).
In the meantime JR is mad that Bast says he has no time to write music when here’s a whole bunch of music he has recently done (this is commercial stuff to pay the bills).